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DVD-Review: Connerys Abschied - OutNow hat «James Bond - Diamonds Are Forever ()» für dich angesehen. Diamonds Are Forever Book Review von Calvin Dyson vor 1 Jahr 17 Minuten Aufrufe This was a slog of a read It made for a good. Yet, such reviews appear in hindsight to have been inevitable. So, today, I'm reviewing “Diamonds are Forever” just because I really like Las Vegas and the. Online-Musik-Magazin im Bereich Metal, Rock und Gothic mit News,Reviews, Liveberichten, Interviews und Hintergrundartikeln. Diamonds Are Forever Shirt- Frottee-Hemd In Matchstick Ob Sie vorhaben, die Welt zu retten, oder einfach nur auf Entdeckungsreise gehen möchten – in. DVD-Review: Connerys Abschied - OutNow hat «James Bond - Diamonds Are Forever ()» für dich angesehen. Yet, such reviews appear in hindsight to have been inevitable. So, today, I'm reviewing “Diamonds are Forever” just because I really like Las Vegas and the. Diamonds Are Forever Book Review von Calvin Dyson vor 1 Jahr 17 Minuten Aufrufe This was a slog of a read It made for a good. Continue reading. Diamonds Are Forever doesn't carry the same quality or flair as its Fisch Spiele Kostenlos predecessors. As if this wasn't enough high camp to go round, there's Beste Kartenspiele Connery being demolished by Kostenlose Casino Spiele Ohne Einzahlung and Thumper, a couple of sadistic female gymnasts. That never came off, but certainly "Diamonds are Forever" is a perfect companion piece to the earlier theme song. It starts off with a glimpse of workers in diamond mines and the way some theft and smuggling comes about.
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Please click the link below to receive your verification email. Cancel Resend Email. Diamonds Are Forever View Collection. Add Article. Diamonds Are Forever Critics Consensus Diamonds are Forever is a largely derivative affair, but it's still pretty entertaining nonetheless, thanks to great stunts, witty dialogue, and the presence of Sean Connery.
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How did you buy your ticket? View All Photos Movie Info. In this spy adventure, James Bond is involved in a scheme by the insidious Ernst Blofeld to force the world powers to disarm so that he can take over the globe.
Folksinger Jimmy Dean shows up briefly as a Howard Hughes-like reclusive billionaire, while Lana Wood is a "human prop. Guy Hamilton. Richard Maibaum , Tom Mankiewicz.
Oct 17, Sean Connery as James Bond. Jill St. John as Tiffany Case. Charles Gray as Ernst Blofeld. Lana Wood as Plenty O'Toole.
Jimmy Dean as Willard Whyte. Bruce Cabot as Saxby. Putter Smith as Mr. Bruce Glover as Mr. Norman Burton as Leiter. Ed Call as Maxie. Joseph Fürst as Dr.
Bernard Lee as M. George A. Desmond Llewelyn as Q. Lois Maxwell as Miss Moneypenny. Leonard Barr as Shady Tree. Laurence Naismith as Sir Donald Monger.
Burt Metcalfe as Maxwell. Margaret Lacey as Mrs. Joe Robinson as Peter Franks. Donna Garratt as Bambi. Trina Parks as Thumper. Ed Bishop as Klaus Hergersheimer.
Larry Blake as Barker. Henry Rowland as Dentist. Nicky Blair as Doorman. Constantin de Goguel as Aide To Metz. Shane Rimmer as Tom.
Clifford Earl as Immigration Officer. David de Keyser as Doctor. Karl Held as Agent. John Abineri as Airline Representative. Max Latimer as Blofeld's Double.
Bill Hutchinson as Moon Crater Controller. Frank Mann as Moon Crater Guard. David Bauer as Slumber. Mark Elwes as Sir Donald's Secretary.
Frank Olegario as Man in Fez. David Healy as Vandenburg Launch Director. Gordon Ruttan as Vandenburg Aide.
Donna Garrett as Bambi. Brinsley Forde as Houseboy. Marc Lawrence I as Attendant. Sid Haig as Attendant. Michael Valente as Attendant.
Edward Call as Maxie. Ray Baker as Helicopter Pilot. Gary Dubin as Boy. Catherine Deeney as Welfare Worker. Jay Sarno as Sideshow Barker.
Denise Perrier as Marie. Tom Steele as Guard. Dick Crockett as Crane Operator. Janos Kurucz as Aide to Metz. Larry J.
Blake as Barker. Bonding with Bond, Day Quantum of Solace. October 13, Full Review…. April 24, Full Review…. January 26, Full Review….
February 10, Full Review…. October 25, Rating: 7. View All Critic Reviews A rough among the Diamonds, Sean Connery's occasionally entertaining return to the role that made him famous single handedly pilots the series into the over-the-top, almost comedic, spoof-worthy skies that would dominate the '70s.
Essentially, Diamonds Are Forever plays out as a swanky harbinger of the campy Roger Moore escapades that would follow. Moore gets shouldered with this association, but - make no mistake about it - Connery kick-started it but good with this, a largely forgettable romp where the series starts to show its age.
Nothing about James Bond should come as a standard issue experience, but this go-round simply starts to become imitative of the glory days. This time Bond confronts Blofeld Charles Gray and a strange couple , Mr Kid and Mr Wint Bruce Glover and Putter Smith in a intrigue about diamonds smuggling and a final with satellite full of nuclear weapons , holding of the world to ransom.
The film contains spectacular fights , action packed , car chases , apocalyptic and overwhelming scenarios along with the typically glossy ingredients series but Sean Connery looks a little bit boring ,in fact is his Bond last film , before his surprising return.
It is held together by fine acting and above all, and overwhelming level of tongue-in-cheek. Sean Connery as James Bond is cool , he has coldness and toughness , typical characters of the famous personage , but also earns in irony , suavity and smoothness.
The interesting screenplay based on Ian Fleming's novel is written by Richard Maibaum and the recently deceased Tom Mankiewicz. The action is very good , the cinematography by Ted Moore is magnificent , the sets decent , but the real clincher is the fact that Bond is once more performed by a hero with the right stuff.
The struggles were carefully choreographed by very accomplished athletes as a pair gorgeous killer karate female bodyguards and performed like a dance routine requiring each participant to hit their mark at the correct time.
The picture is produced by habituals Harry Saltzman and Albert R. The atmosphere is faithful to the actual location but the interiors on a set at Pinewood Studios.
Appropriate and wonderful -as usual- musical score by John Barry. Main title song is catching and marvelously performed by Shirley Bassey.
Indispensable and essential watching for James Bond fans. In Sean Connery quits the role of James Bond.
This film does reasonably well at the box office, but not as well as the previous episodes Furthermore, a big part of the audiences and many critics savage Lazenby's performance, rather pale compared to Connery's Bond portrait.
In '71 producers hire American actor John Gavin for "Diamonds are forever" DAF , but at the very last minute Sean Connery decides to come back to the role for one time only The film is a kind of remake of "Goldfinger" -there is Sean, of course; director Guy Hamilton; Shirley Bassey sings the theme; the story takes place in America; here too we have glamorous elements diamonds instead of gold.
The movie is funny, Sean looks amused and quite relaxed in traveling between Amsterdam and Las Vegas to investigate about a diamond illegal traffic.
Nevertheless it's the "worst" of his Bonds It's his less interesting outing as When we think about him as Bond we think about the episodes of the Sixties, when the series was at its beginning.
The first part of the film is boring, the second half has more action -although the final battle scene is not very well done.
Sean is Sean, but here he looks older than his age -curiously he looks fitter and more charming in "Never say never again", an "unofficial" Bond done 12 years later!
By the way his presence in this film saves the show completely and a good entertainment is guaranteed. There he meets beautiful Tiffany Case Jill St.
John , fends off kooky hit men, and comes face-to-face with his arch-nemesis Blofeld Charles Gray. Sean Connery's last 'official' Bond film doesn't get a lot of love from the serious crowd but I happen to like it.
Among the criticisms are that it's "too Americanized," "too much like a comic book," and "too trashy. Personally, I thought it was a lot of fun.
Sean Connery's perfect. My favorite Bond. Charles Gray is a nice Blofeld. John's a great Bond girl. It's got good action, hot women, a memorable Shirley Bassey theme song, and lots of humor.
There's a lot to like about it. If you're someone who enjoys the Bond movies for colorful escapist adventure more than for dark espionage stories, you should like this as much as I do.
HelloTexas11 21 January Sean Connery's last go-round in the initial James Bond series is a quirky entry that I find one of the most enjoyable.
It keeps all of the trappings and recurrent characters we had come to expect in a film but adds a few novel twists which keep things from becoming stale.
Connery's co-star and female lead this time is Jill St. John and forgive me while I drool on my keyboard a moment.
The term 'drop dead gorgeous' must have been invented for her and maybe even specifically for this movie. Casual nudity in mainstream cinema was not yet commonplace, but some of Ms.
John's 'costumes' come about as close as is possible. As Bond aptly puts it shortly after meeting her character, Tiffany Case, "that's a nice little nothing you're almost wearing.
The diamonds in question are to be used on a satellite to focus a laser beam that will destroy nuclear weapons, allowing SPECTRE to blackmail various governments.
Yeah, that old plot again. But it's just enough to hang a number of funny and exciting scenes on, starting in Holland and ending up in Las Vegas.
Maybe the oddest aspect of 'Diamonds Are Forever' is the inclusion of two openly and sometimes outlandishly gay characters, Mr. Wint and Mr. The plot sometimes veers off into extreme silliness it's hard to recall a chase scene sillier than the one with Bond in the moon-buggy and the special effects range from believable to incredibly cheesy the shot of Chinese missiles being destroyed and a flaming Chinese soldier crossing the screen has to be seen to be believed which, along with the above-mentioned aspects, seem to indicate the series was heading in a more comedic direction just as Connery was making his exit.
Whether this was an improvement is debatable, but Connery was, and is, the definitive Bond and 'Diamonds Are Forever' stands as one of the best films.
Orpington 31 July After the relative commercial failure of On Her Majesty's Secret Service, and the subsequent departure of the unlamented George Lazenby, the Bond producers were desperate to lure Sean Connery back for just one more outing as James Bond.
Connery was reluctant, but the huge sum he was offered to come back was too good to resist, and Diamonds are Forever thus became his last official Bond film.
Sadly it is a thoroughly unworthy exit, for DAF is an inane, flabby film that suffers from lazy scripting and an excess of camp humour, reducing Bond to the level of self-parody.
It seems that the aim of this film was to rekindle the spirit of Goldfinger, after audiences did not take kindly to the relatively serious OHMSS.
Not only did Connery return, but so did Goldfinger director Guy Hamilton and other crew members who had worked on that film; even Shirley Bassey was back to sing the theme tune, which is one of the few good things about DAF.
However, it lacks either the wit or elegance of Goldfinger, relying instead on a succession of bad puns and tedious chase sequences, including a particularly stupid one which sees Bond being pursued across the desert while driving a moon buggy.
The decision to set most of the film in Las Vegas does not help matters, for it is a very un-Bond like place which just serves to make the film feel even more cheap and tacky.
The casting is a mixed bag. Connery never gave a bad performance as OO7, but he is at his most detached and uninterested here, going through the motions but never looking as if he is doing it for anything other than the money.
Even though he was only 40 when he made it, he also looks rather old in this film, which does not help credibility. Charles Gray is OK as Blofeld, but plays it far too camp and never seems the slightest bit menacing, which is not a good idea if you are playing Bond's arch-enemy.
Jill St John's Tiffany Case is a spirited Bond girl, but unaccountably she becomes more and more stupid as the film goes on, and never becomes as strong a character as she should have been.
Wint and Kidd, Blofeld's homosexual henchmen, provide quite good comic value, even though they are outrageous gay stereotypes; nevertheless, their antics seem very out of place in a Bond film, being more suited to Are You Being Served.
As for Jimmy Dean's Willard Whyte, I found him to be one of the most irritating characters in any Bond film, though thankfully he does not get much screen time.
There are some good points in the film, including an effective fight between Bond and Peter Franks in Amsterdam, and a memorable scene in which OO7 has to grapple with two striking young women called Bambi and Thumper.
In general, however, DAF feels tired, trying to compensate for the lack of a decent script with its childish humour and endless stunts.
It is all a long way away from the classic Connery Bonds of the early 60s, and indeed DAF is much closer in tone to the jokey Roger Moore films that would follow it during the rest of the 70s, although most of those have more going for them than this film.
All in all, DAF is more of a feeble exercise in camp comedy than a stylish spy thriller, a sad way for Connery to leave the part that had made him a star.
Of all the Bond films, probably only Moonraker is worse. The 7th official James Bond film Diamonds Are Forever does not have the reputation of being one of the better Bond epics.
But I must admit for having a soft spot for Diamonds Are Forever despite the fact that in hindsight the film has missed some great opportunities.
It could have been a great revenge movie, but it's not. Diamonds Are Forever starts with a very short fight scene in a Japanese decor, telling us that it's starting where the 5th Bondfilm You Only Live Twice left off.
At the time On Her Majesty's Secret Service was considered a failure it wasn't and the rumor was that the new James Bond actor George Lazenby got fired he wasn't, he decided not to go on, much to his regret later.
But on the plus side Diamonds Are Forever is one of most efficient Bond films made. The greatest asset of course is that Sean Connery returned to the franchise after being absent in the previous film.
Older and a little too out of shape, Connery is at his most relaxed in this one and even here he is still the best cinematic interpretation of the character.
A James Bond who has seen and done it all. The only time Bond is really surprised in this film is when he meets Blofeld again, whom he thought he had killed in the prologue.
Diamonds Are Forever may have discarded the revenge plot but It was a financial successful revenge for Sean Connery on the Bond producers.
Connery always felt short changed by the producers but was lured back by United Artists for one more film for an enormous salary which he donated and benefits including a two movie deal.
Diamonds Are Forever is also a guilty pleasure nowadays because Bond gets to do things which today's cinematic heroes can no longer get away with: he hits women, kicks Blofeld's cat and disposes easily of two stereotypical gay men including finishing it off with a one liner.
So, unless you're easily offended, Diamonds Are Forever can also be recommended as a terrific time capsule. TimBoHannon 26 May After four years, 1.
Sadly, the man who electrified the world for six years returned for a problematic movie that at best is a disappointment and at worst a large black stain on his legacy.
Many of the problems that drown "Diamonds Are Forever" show up in the opening minutes. Bond is on the revenge trail following the murder of his wife.
Connery's face remains hidden to raise anticipation, but when it finally appears, my reaction is shock. At one time he looked like the handsome, debonair ladies man he is supposed to be, but at 41, Connery has outlived the part.
He has more wrinkles, his eyes have darkened with age, he is getting fatter, and his hair is grayer. I once watched a clip online of a scene where he is standing next to Q, played by Desmond Llewelyn, who was 56 years old with white hair.
I initially mistook him for one of Q's assistants. In every possible way, he made the part his own with an authority neither he nor the five actors following him have since been able to equal.
This time he was just doing it for the money, and it shows. In "Goldfinger," he said "Bond, James Bond" with focus and cool.
Here, it is delivered with unexpressive staccato. When he is ordered to put up his hands, he moves them to the side like a man bored with being bored.
Diamond smuggling out of South Africa has risen over the past two years. Since no smuggled stones have reached the market, the British government fears somebody may be accumulating them in preparation for a market dump.
A string of recent murders in South Africa leads them to fear that operations are being shut down, leaving them little time to bust the smugglers.
James Bond is sent undercover as smuggler Peter Franks. His mission takes him to the casinos of Las Vegas, where he discovers the involvement of his old enemy, Ernst Stavro Blofeld Charles Gray.
Gray is another problem evident from the beginning. Blofeld is supposed to be bald, but even if Gray was bald he would not remotely look or sound the part.
In "From Russia with Love," Blofeld seemed like a god. Gray is not imposing, and seeing the mighty Blofeld dressing as a transvestite is the worst insult in the series.
For the ignominious title of worst Bond villain, Gray loses to Stephen Berkoff from "Octopussy," but barely. When Bond finally discovers Blofeld, how does he react?
He indulges in polite conversation. The movie forgets that Bond is speaking to the man who callously murdered his wife, and that Blofeld is addressing the man who broke his neck.
Another huge minus is the general lack of excitement. It has a good start with an intense elevator fight between Bond and the real Peter Franks.
If you see this film, which I strongly discourage, savor that fight, because "Diamonds" becomes pretty anemic afterwards.
The remainder lacks intrinsic interest or excitement. Aside from a slick nighttime street chase, the little action that is left looks fake and slow.
When Bond is faced with trouble, what does he do? He runs, preferably in a phony moon machine. From start to finish, he does not fire a single bullet.
Adding insult is the cheap climax. Six years earlier, this franchise won a visual effects Oscar. Now they are reduced to creating nuclear explosions that look like puffs of smoke.
Connery's salary supposedly slashed the special effects budget even though the franchise made over a million dollar profit since "Goldfinger.
Ironically, it is country singer Jimmy Dean who brings the most convincing act to the table. John and Lana Wood are wasted as the bimbo and harlot, respectively.
Wint Bruce Glover and Mr. Kidd Putter Smith are the gay hit men who don't know each other's first names, and the best I can say about them is that they die entertainingly.
A movie with shoddy writing, substandard acting, misplaced atmosphere and bad characters cannot succeed. Diamonds slowly decay into other forms of carbon, so they are not truly forever.
Neither is Sean Connery. The sixties, peace, love, psychedelia and the peak of Bond mania, passed into history. The Beatles split up, Jim Morrison flat-lined in a bathtub and Vietnam was napalming the American dream to ashes in a controversial conflict that was fast starting to look like an epic fail.
The Bond movies had been spoofed, ripped-off, imitated to near death and creatively dismissed by many critics.
Lazenby had jumped ship, convinced that Bond was "old hat" and had no future other than a rattling decline into celluloid oblivion.
And the original Bond returns in a glitzy, camp, sci-fi extravaganza, that still manages to be the fourth highest grossing film in the US of it's year.
No indicator of quality, but certainly of a sustained popularity. DAF is a slyer, more-knowing, self-deprecating artifact of it's time than most give it credit for.
In it's sweep, it satirises the absurdity of Howard Hughes and his eccentric reclusivity, the global obsession over the lunar landings and accompanying conspiracy theory surrounding beliefs of their fakeness , the conquest of space, and pokes fun at the mecca of arbitrary gambling-addicts and those dazzled by the air-headed neon facade of sleazy, hollow glamour.
Beneath the veneer of such glamour, death lurks, dispensed by two gay contract killers in the pay of a criminal cross-dressing mastermind with a penchant for white cats and impersonating a reclusive kidnapped multi-millionaire industrialist.
And making doubles of himself - for some reason. Are we beginning to grasp it's charm yet? There are so many continuity, plot and logic errors in DAF, that sooner or later one might suspect they are deliberate.
Connery coasts through, nonchalant and laid-back and still irrefutably BOND. DAF, it's fair to say, lost the plot, in the tipsy haze of a high-tech Rat Pack hangover.
But, as a kid I loved it unconditionally, and I still think it's a blast today. There's something about it's inherent sincerity and lack of forced, contrived, self-conscious cynicism that appeals.
There are some crackling one-liners and dialogue, a ferociously brutal unarmed combat episode in a lift, an eye-melting pink tie, bizarre vehicle chases and the most unconvincing toupee a leading actor ever wore up to that point.
It had a bizarre life of it's own. Oh, did I mention Connery was back as Bond? I'd pay the price of admission for that fact alone.
Wouldn't you? Tweekums 28 August Some people think this is one of the worst Bond films; I wouldn't go that far but it is certainly a lot more frivolous then previous instalments; there was always the occasional one liner but here they come thick and fast.
In the pre-credit sequence. Bond tracks down and apparently kills Blofeld, who is now played by Charles Gray. With that case wrapped up he is set to work investigating diamonds being smuggled out of South Africa.
His sent to Amsterdam where he poses as a known smuggler to get the diamonds of one Tiffany Chase. In order to find out who is organising the smuggling he then takes them to Los Angeles where he is met and taken to Las Vegas.
As said before this is less serious then the previous films; I don't think it is bad though; in fact I've always rather enjoyed it.
Wint; a pair of creepy killers who have a 'witty' line for every occasion. As one would expect from a Bond film there are plenty of stunts, action and explosions.
Over all I'd recommend this to other Bond fans even though it isn't a classic. DMP-2 24 December This film is excellent. The comedy which has been the culprit for its discredit is excellent.
This is the first Bond to be uncensored totally. This came out 3 years after the MPAA created the rating system which allow for greater creative control to films.
The only thing I don't like about this film is that it should be a revenge film See my comment on On Her Majesty's Secret Service and watch it.
Of all the films thats the 4th most profitable. Its evident although a great film, sort of a cult classic, On Her Majesty's Secret Service jinxed this production.
Its evident they wanted to avoid failure, by removing all evidence of it. By forgetting its finale. Lazenby was certainly not better than Connery, but his departure was mistake and a failure.
Diamonds Are Forever although to many a failure, is a very good film. Anyway this film is excellent Connery's 3 and Stands at 5 1. The Living Daylights 3.
The Spy Who Loved Me 4. I've always liked "Diamonds Are Forever". Over the years I've grown to like it so much that I now rank it among the best of the James Bond movies.
It's so much fun. It hits all of the Bond buttons. The story, villains, music, humor, action and stunts are all great.
It also has maybe the best collection of Bond girls ever. Tiffany Case and Plenty O'Toole are both through the roof. Many people are apparently put off by this Bond film.
Sure, Sean Connery is older, you see Blofeld this time with a head of hair and the series seemed a tad out of place in , when the anti-war movement was running strong.
This movie is not Goldfinger, despite the presence of Guy Hamilton at the helm and Shirley Bassey as the singer of the title theme.
What this movie is is a stylish romp that seems to bear some nod to the Batman TV series in terms of style.
The original femme fatale of the Batman series, Jill St. John, is the female lead here, and is fun to watch. She shows a lot of spirit in the role.
Charles Grey is fun to watch as Blofeld, because he brings a real wit to the role. The dialogue is definitely sophisticated, and it is a very stylish production that I think holds up well.
And Lana Wood does a fine job here, too! Oh, and I met her in Detroit in May ; sweet lady!! This movie is also more daring in terms of sex than any other Bond: The public display of affection the thugs Wint and Kidd show, as well as the topless scene of Lana Wood's character.
Gadgets don't seem to dominate this outing. It's no s Connery film the lead actor's older , nor a s Moore outing more serious. This movie is sandwiched between the two eras, and it rightly should be taken on its own terms.
Which means, I think it is one of the most enjoyable Bond films made--a sophisticated, stylish romp. It is, in my view, a most enjoyable Bond and my personal favourite!
The franchise stops at this point, from here-on in Bonds are "cloned" uds3 18 September Well well, this one has really elicited some polarised opinion!
Connery returned here for three principal reasons. US actor John Gavin mercifully declined the role in this film and thirdly public demand and an offer he couldn't refuse something to do with truck-loads of cash , induced Connery so slap on the old hairpiece once more!
Looking visibly older, though not in any way detrimental to the role, Sean revels in what obviously to him was his swansong as Almost a complete turnaround in style from his established mega-serious British Agent in his previous five outings, Bond is having FUN!
Virtually a total send up of the entire franchise to date, Bond veritably dribbles double entendres unloading on the audience probably the rudest and funniest dialog of the series.
Pick of the flick? Campy beyond belief, even to the extent of having a pair of confrontingly homosexual killers who bumble their way to annihilation at the film's conclusion.
The way to enjoy this one is to let it flow Have no expectations and let Connery entertain you. One right out of the bag here.
If you want it to fit a pre-conceived mould, you're in for a major disappointment. For God's sake how seriously could you take a Bond film starring singer Jimmy Dean, not to mention a couple of beefed up exquisitely proportioned female minders called Bambi and Thumper?
One of the Bonds that has improved with age AND multiple viewings. RIP James! Spondonman 30 December This last worthwhile Connery Bond film came out in the early '70's; it seemed to me even then at 12 years old that there had been a change in social attitudes — some degree of innocence had been lost in the 4 years since the previous film.
Whereas You Only Live Twice was the usual daft and deft mix of humour and action in a nonsensical plot, Diamonds Are Forever had deft action in a nonsensical and messy plot with a touch of tired and camp cynicism.
Bond is enrolled by the British government to find who is cornering the world's diamond-smuggling market and put a stop to it. It's an un-engaging battle for the viewer though, Stout Bond looks for the most part uninterested in putting in the actual work for the money for which he was enticed back.
There's also probably the worst scene in any of his Bond films when he's escaping from Tectronics in a Moon buggy — to someone brought up on Banana Splits it's awful and almost slapstick.
John than Connery throughout. On the plus side Bond's punch up with the real Franks in the lift was exciting, the car chase through Las Vegas was amusing, and Bond getting hot under the collar in the funeral parlour was chilling — there's plenty to savour, although Plenty wasn't in it for long.
God help us if the world's safety depended on the quality of cassette tape playback! Overall it's not as witty or memorable as we'd grown accustomed to, but watchable probably even for a non-completist.